We focus on advancing the tools, techniques and methods that will be used to build the next generation of games and related technologies.
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Themes include, but are not restricted to, serious games, augmented and virtual reality, artificial intelligence and data analytics in games, procedural content generation, interactive storytelling, collaborative virtual environments and experimental game design.
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We work closely with the undergrad students of the BSc. in Games Development to bring cutting edge games education, broaden the scope of Australian games research, highlight the work of our students and academics, and grow the game design and development community of UTS.
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We would like to express our gratitude to the FEIT community for supporting the 2023 UTS Tech Festival, an initiative that aims at elevating the experience of our students and connecting them with our industry partners.
It was great seeing you at the various events. Our industry partners, students, and the organising committee truly appreciated your presence at these events.
Here are some images from the most significant event, including:
Good game mechanics require designers to iterate frequently on their design and parameters. In this workshop, we will have an open discussion on techniques that facilitate rapid prototyping of game mechanics.
More info here: https://events.humanitix.com/workshop-and-discussion-on-rapid-prototypin...
The FEIT Engagement Team is glad to announce that the 2023 UTS Tech Festival is going ahead, and this year is loaded with heaps of game-related events.
When: June 19th - June 30th
Last April, Elle Ma and Thalia Johnson (both HDR candidates from the UTS Games Studio Research Lab) presented their research projects at the Design Talks seminar series organised by Dr Baki Kocaballi, from the UTS Interaction Design & Games Discipline.
This talk focused on games, gender & race.
If you missed the opportunity to join this insightful and energising discussion, you can watch the full video here.
Early this morning, millions of people around the world rushed to their Nintendo Switch to play The Legend of Zelda: Tears of the Kingdom and immerse themselves anew in this game’s vast, mythical kingdom of Hyrule.
This fresh release, a sequel to 2017’s The Legend of Zelda: Breath of the Wild, has been long awaited by Zelda fans around the globe, and the subject of breathless coverage in both specialist gaming media and the mainstream press.
So, why is this game such big news – even among those who don’t necessarily see themselves as “gamers”?
I’m a game design researcher focused on creating and developing systems that allow games to be played by anyone – and there cannot be a better example of that than The Legend of Zelda: Tears of the Kingdom.
